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Van Goyen (1596-1656) was one of the earliest of the seventeenth-century landscapists. In subject he was fond of the Dutch bays, harbors, rivers, and canals with shipping, windmills, and houses. His sky line was generally given low, his water silvery, and his sky misty and luminous with bursts of white light. In color he was subdued, and in perspective quite cunning at times. Salomon van Ruisdael (1600?-1670) was his follower, if not his pupil. He had the same sobriety of color as his master, and was a mannered and prosaic painter in details, such as leaves and tree-branches. In composition he was good, but his art had only a slight basis upon reality, though it looks to be realistic at first sight. He had a formula for doing landscape which he varied only in a slight way, and this conventionality ran through all his work. Molyn (1600?-1661) was a painter who showed limited truth to nature in flat and hilly landscapes, transparent skies, and warm coloring. His extant works are few in number. Wynants (1615?-1679?) was more of a realist in natural appearance than any of the others, a man who evidently studied directly from nature in details of vegetation, plants, trees, roads, grasses, and the like. Most of the figures and animals in his landscapes were painted by other hands. He himself was a pure landscape-painter, excelling in light and aerial perspective, but not remarkable in color. Van der Neer (1603-1677) and Everdingen (1621?-1675) were two other contemporary painters of merit.

The earlier history of the Roman constitution has been already related. We have seen how, after a long struggle, the Plebeians acquired complete political equality with the Patricians. In the Second Punic War, the antagonism between the two orders had almost disappeared, and the only mark of separation between them in political matters was the regulation that, of the two Consuls and two Censors, one must be a Patrician and the other a Plebeian. Even this fell into disuse upon the rise of the new Nobility, of which we shall speak in the next chapter. The Patricians gradually dwindled away, and it became the custom to elect both Consuls and Censors from the Plebeians.

In the mean time the Anglo-Saxons were establishing and strengthening themselves very rapidly in the part of the island which Vortigern had assigned them--which was, as the reader will understand from what has already been said in respect to the place of their landing, the southeastern part--a region which now constitutes the county of Kent. In addition, too, to the natural increase of their power from the increase of their numbers and their military force, Hengist contrived, if the story is true, to swell his own personal influence by means of a matrimonial alliance which he had the adroitness to effect. He had a daughter named Rowena. She was very beautiful and accomplished. Hengist sent for her to come to England. When she had arrived he made a sumptuous entertainment for King Vortigern, inviting also to it, of course, many other distinguished guests. In the midst of the feast, when the king was in the state of high excitement produced on such temperaments by wine and convivial pleasure, Rowena came in to offer him more wine. Vortigern was powerfully struck, as Hengist had anticipated, with her grace and beauty. Learning that she was Hengist's daughter, he demanded her hand. Hengist at first declined, but, after sufficiently stimulating the monarch's eagerness by his pretended opposition, he yielded, and the king became the general's son-in-law. This is the story which some of the old chroniclers tell. Modern historians are divided in respect to believing it. Some think it is fact, others fable.



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