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Scalawag on the Web Sectory 22
Page 06
We saw large families of _ciancias_--beautiful birds with velvety black bodies speckled with white, and fan tails of rich brown colour, feathers of the same colour being also on the outer half of the wings. They possessed slender, most elegant necks, small brown-crested heads, and light yellow chests. Seen at a distance they were not, in shape, unlike pheasants. Twenty or thirty together at a time could be seen playing among the lower branches of the trees along the edge of the river. Then there were small birds of a beautiful metallic blue-black, with very long tails; these latter were innumerable near the water.
Head-shape is really a far more complicated thing to arrive at for purposes of comparison than one might suppose. Since no part of the skull maintains a stable position in regard to the rest, there can be no fixed standard of measurement, but at most a judgment of likeness or unlikeness founded on an averaging of the total proportions. Thus it comes about that, in the last resort, the impression of a good expert is worth in these matters a great deal more than rows of figures. Moreover, rows of figures in their turn take a lot of understanding. Besides, they are not always easy to get. This is especially the case if you are measuring a live subject. Perhaps he is armed with a club, and may take amiss the use of an instrument that has to be poked into his ears, or what not. So, for one reason or another, we have often to put up with that very unsatisfactory single-figure description of the head-form which is known as the cranial index. You take the greatest length and greatest breadth of the skull, and write down the result obtained by dividing the former into the latter when multiplied by 100. Medium-headed people have an index of anything between 75 and 80. Below that figure men rank as long-headed, above it as round-headed. This test, however, as I have hinted, will not by itself carry us far. On the other hand, I believe that a good judge of head-form in all its aspects taken together will generally be able to make a pretty shrewd guess as to the people amongst whom the owner of a given skull is to be placed.
This leads us to a consideration that I have delayed till now. The black image is the central feature of Oropa; it is the raison d'etre of the whole place, and all else is a mere incrustation, so to speak, around it. According to this image, then, which was carved by St. Luke himself, and than which nothing can be better authenticated, both the Madonna and the infant Christ were as black as anything can be conceived. It is not likely that they were as black as they have been painted; no one yet ever was so black as that; yet, even allowing for some exaggeration on St. Luke's part, they must have been exceedingly black if the portrait is to be accepted; and uncompromisingly black they accordingly are on most of the wayside chapels for many a mile around Oropa. Yet in the chapels we have been hitherto considering--works in which, as we know, the most punctilious regard has been shown to accuracy--both the Virgin and Christ are uncompromisingly white. As in the shops under the Colonnade where devotional knick-knacks are sold, you can buy a black china image or a white one, whichever you like; so with the pictures--the black and white are placed side by side--pagando il danaro si puo scegliere. It rests not with history or with the Church to say whether the Madonna and Child were black or white, but you may settle it for yourself, whichever way you please, or rather you are required, with the acquiescence of the Church, to hold that they were both black and white at one and the same time.
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