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Scalawag on the Web Sectory 19
Page 03
The brothers Maris have made a distinct impression on modern Dutch art, and, strange enough, each in a different way from the others. James Maris (1837-) studied at Paris, and is remarkable for fine, vigorous views of canals, towns, and landscapes. He is broad in handling, rather bleak in coloring, and excels in fine luminous skies and voyaging clouds. Matthew Maris (1835-), Parisian trained like his brother, lives in London, where little is seen of his work. He paints for himself and his friends, and is rather melancholy and mystical in his art. He is a recorder of visions and dreams rather than the substantial things of the earth, but always with richness of color and a fine decorative feeling. Willem Maris (1839-), sometimes called the "Silvery Maris," is a portrayer of cattle and landscape in warm sunlight and haze with a charm of color and tone often suggestive of Corot. Jongkind (1819-1891) stands by himself, Mesdag (1831-) is a fine painter of marines and sea-shores, and Mauve (1838-1888), a cattle and sheep painter, with nice sentiment and tonality, whose renown is just now somewhat disproportionate to his artistic ability. In addition there are Kever, Poggenbeek, Bastert, Baur, Breitner, Witsen, Haverman, Weissenbruch.
The reign of King Charles the Second was signalized by many other untoward and disastrous events besides those which we have enumerated. There were unfortunate wars, great defeats in naval battles, unlucky negotiations abroad, and plots and conspiracies, dangerous and disgraceful, at home. The king, however, took all these things very good naturedly, and allowed them to interfere very little with his own personal pleasures. Whatever troubles or embarrassments affected the state, he left the anxiety and care which pertained to them to his ministers and his council, banishing all solicitude from his own mind, and enjoying himself all the time with his experiments, his ladies, his dogs, and his perpetual fun.
Since the overthrow of communal feudalism and the establishment of an individualistic social order, necessitating personal ownership of property, and the universal use of money, trustful confidence is rapidly passing away. Everything is being more and more accurately reduced to a money basis. The old samurai scorn for money seems to be wholly gone, an astonishing transformation of character. Since the disestablishment of the samurai class many of them have gone into business. Not a few have made tremendous failures for lack of business instinct, being easily fleeced by more cunning and less honorable fellows who have played the "confidence" game most successfully; others have made equally great successes because of their superior mental ability and education. The government of Japan is to-day chiefly in the hands of the descendants of the samurai class. They have their fixed salaries and everything is done on a financial basis, payment being made for work only. The lazy and the incapable are being pushed to the wall. Many of the poorest and most pitiable people of the land to-day are the proud sons of the former aristocracy, who glory in the history of their ancestors, but are not able or willing to change their old habits of thought and manner of life.
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