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Scalawag on the Web Sectory 17
Page 11
Melbourne was full of prejudices and whims and hatreds, but his charity was boundless, and he always had a good word for an enemy. He excused the career of Henry VIII to the Queen by saying, "You see, those women bothered him so." And when he was superseded by Peel, he combated the Queen's dislike of her new premier, and did his best to put Peel in a favourable light. When Peel made his first appearance at Windsor, shy and awkward, and holding himself like a dancing-master, it was Melbourne who broke the awkward pause by going up to Peel, and saying in an undertone, "For God's sake, go and talk to the Queen!" When I was privileged to work through all Melbourne's letters to the Queen, so carefully preserved and magnificently bound, I was greatly touched by the sweetness and tenderness of them, the gentle ironical flavour, the delicate freedom, and the little presents and remembrances they exchanged up to the end.
What, again, is one to make of Dickens, with his love of private theatricals, his florid waistcoats and watch-chains, his sentimental radicalism, his kindly, convivial, gregarious life? He, again, did his work in a rapture of solitary creation, and seemed to have no taste for discussing his ideas or methods. Then, too, Dickens's later desertion of his work in favour of public readings and money-making is curious to note. He was like Shakespeare in this, that the passion of his later life seemed to be to realise an ideal of bourgeois prosperity. Dickens seems to have regarded his art partly as a means of social reform, and partly as a method of making money. The latter aim is to a great extent accounted for by the miserable and humiliating circumstances of his early life, which bit very deep into him. Yet his art was hardly an end in itself, but something through which he made his way to other aims.
The men agreed to this. As I could not trust any of them, I took the precaution to take along with me all my notebooks and the maps I had made of the entire region we had crossed, four hundred glass negatives which I had taken and developed, a number of unexposed plates, a small camera, my chronometer, one aneroid, a sextant, a prismatic compass, one other compass, and a number of other things which were absolutely necessary. The rest of the baggage I left at that spot. I begged the men to take special care of the packages. All I asked of them was to prop them up on stones so that the termites and ants should not destroy my possessions, and to make a shed with palm leaves so as to protect the packages as much as possible from the rain. The men promised to do all this faithfully. We drew lots as to who were to be the two to accompany me on the difficult errand across the virgin forest. Fate selected Filippe the negro and Benedicto, both terribly ill.
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