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Scalawag on the Web Sectory 15
Page 06
And I will then try and establish a second proposition, namely, that we are intimately concerned with the condition of Europe, and are daily becoming more so, owing to processes which have become an integral part of our fight against nature, of the feeding and clothing of the world; that we cannot much longer ignore the effects of those tendencies which bind us to our neighbors; that the elementary consideration of self-protection will sooner or later compel us to accept the facts and recognize our part and lot in the struggles of Christendom; and that if we are wise, we shall not take our part therein reluctantly, dragged at the heels of forces we cannot resist, but will do so consciously, anticipating events. In other words, we shall take advantage of such measure of detachment as we do possess, to take the lead in a saner organization of western civilization; we shall become the pivot and centre of a new world State.
Only once did he falter. In March, 1871, when the French sympathizers of his subjects exposed him as a German Prince and a Hohenzollern to great unpopularity, while the bankruptcy of the Jewish speculator to whom his railway schemes had been intrusted threw discredit upon his ideas of economic development, he summoned the members of the Provisional Government from whom he had accepted the crown and announced to them his decision to abdicate. Fortunately for Rumania, they succeeded in dissuading him from his purpose. The famous Conservative statesman, Lascar Catargi, formed a Ministry which held office for five years and enabled the ruler to turn the most dangerous corner of his reign. Thenceforward the path was comparatively clear, though by no means easy. It led to Rumanian participation in the Russo-Turkish war, to the conquest of national independence, and eventually, on May 22, 1881, to his coronation as King of Rumania, with a crown made of steel from a Turkish gun captured by Rumanian troops at Plevna.
From Brussels Barent van Orley (1491?-1542) left early for Italy, and became essentially Italian, though retaining some Flemish color. He painted in oil, tempera, and for glass, and is supposed to have gained his brilliant colors by using a gilt ground. His early works remind one of David. Cocxie (1499-1592), the Flemish Raphael, was but an indifferent imitator of the Italian Raphael. At Liege the Romanists, so called, began with Lambert Lombard (1505-1566), of whose work nothing authentic remains except drawings. At Bruges Peeter Pourbus (1510?-1584) was about the last one of the good portrait-painters of the time. Another excellent portrait-painter, a pupil of Scorel, was Antonio Moro (1512?-1578?). He had much dignity, force, and elaborateness of costume, and stood quite by himself. There were other painters of the time who were born or trained in Flanders, and yet became so naturalized in other countries that in their work they do not belong to Flanders. Neuchatel (1527?-1590?), Geldorp (1553-1616?), Calvaert (1540?-1619), Spranger (1546-1627?), and others, were of this group.
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