|
|
Scalawag on the Web Sectory 14
Page 05
The reign of King Charles the Second was signalized by many other untoward and disastrous events besides those which we have enumerated. There were unfortunate wars, great defeats in naval battles, unlucky negotiations abroad, and plots and conspiracies, dangerous and disgraceful, at home. The king, however, took all these things very good naturedly, and allowed them to interfere very little with his own personal pleasures. Whatever troubles or embarrassments affected the state, he left the anxiety and care which pertained to them to his ministers and his council, banishing all solicitude from his own mind, and enjoying himself all the time with his experiments, his ladies, his dogs, and his perpetual fun.
This charter, as will be readily seen, could not please the Virginians, since the entire territory conveyed by it was part of the grant of 1609 to the London Company for Virginia. But as this and subsequent charters had been annulled in 1624, the new colony was held by the Privy Council to have the law on its side, and Lord Baltimore was left to make his preparations undisturbed. He fitted out two vessels, the Ark and the Dove, and sent them on their voyage of colonization. They went by the way of the West Indies, arriving off Point Comfort in 1634. Sailing up the Potomac, they landed on the island of St. Clement's, and took formal possession of their new home. Calvert explored a river, now called the St. Mary's, a tributary of the Potomac, and being pleased with the spot began a settlement. He gained the friendship of the natives by purchasing the land and by treating them justly and humanely.
Space would fail me if I now sought to carry you off to the cave of Altamira, near Santander, in the north-west of Spain. Here you might see at its best a still later style of rock-painting, which deserts mere black and white for colour-shading of the most free description. Indeed, it is almost too free, in my judgment; for, though the control of the artist over his rude material is complete, he is inclined to turn his back on real life, forcing the animal forms into attitudes more striking than natural, and endowing their faces sometimes, as it seems to me, with almost human expressions. Whatever may be thought of the likelihood of these beasts being portrayed to look like men, certain it is that in the painted caves of this period the men almost invariably have animal heads, as if they were mythological beings, half animal and half human; or else--as perhaps is more probable--masked dancers. At one place, however--namely, in the rock shelter of Cogul near Lerida, on the Spanish side of the Pyrenees, we have a picture of a group of women dancers who are not masked, but attired in the style of the hour. They wear high hats or chignons, tight waists, and bell-shaped skirts. Really, considering that we thus have a contemporary fashion-plate, so to say, whilst there are likewise the numerous stencilled hands elsewhere on view, and even, as I have seen with my own eyes at Niaux in the sandy floor, hardened over with stalagmite, the actual print of a foot, we are brought very near to our palaeolithic forerunners; though indefinite ages part them from us if we reckon by sheer time.
|
