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Scalawag on the Web Sectory 08
Page 09
The Sun became angrier than ever and determined to have done with the trouble at once by killing the boys. From the eastern wall of the room projected numerous sharp spikes of white shell. There were turquoise spikes in the southern, abalone in the western, and jet in the northern walls. The boys were each hurled against the first of these, but dropped to the floor unharmed; then against the second, the third, and the fourth, with a like result. On the floor near the walls sat four large mortars with heavy pestles in them. The boys were placed in each of these successively and pounded, as their father thought, into fragments, but out of this also they came unharmed.
In landscape the English have had something to say peculiarly their own. It has not always been well said, the coloring is often hot, the brush-work brittle, the attention to detail inconsistent with the large view of nature, yet such as it is it shows the English point of view and is valuable on that account. Richard Wilson (1713-1782) was the first landscapist of importance, though he was not so English in view as some others to follow. In fact, Wilson was nurtured on Claude Lorrain and Joseph Vernet and instead of painting the realistic English landscape he painted the pseudo-Italian landscape. He began working in portraiture under the tutorship of Wright, and achieved some success in this department; but in 1749 he went to Italy and devoted himself wholly to landscapes. These were of the classic type and somewhat conventional. The composition was usually a dark foreground with trees or buildings to right and left, an opening in the middle distance leading into the background, and a broad expanse of sunset sky. In the foreground he usually introduced a few figures for romantic or classic association. Considerable elevation of theme and spirit marks most of his pictures. There was good workmanship about the skies and the light, and an attentive study of nature was shown throughout. His canvases did not meet with much success at the time they were painted. In more modern days Wilson has been ranked as the true founder of landscape in England, and one of the most sincere of English painters.
In philology, North America presents the richest field in the world, for here is found the greatest number of languages distributed among the greatest number of stocks. As the progress of research is necessarily from the known to the unknown, civilized languages were studied by scholars before the languages of savage and barbaric tribes. Again, the higher languages are written and are thus immediately accessible. For such reasons, chief attention has been given to the most highly developed languages. The problems presented to the philologist, in the higher languages, cannot be properly solved without a knowledge of the lower forms. The linguist studies a language that he may use it as an instrument for the interchange of thought; the philologist studies a language to use its data in the construction of a philosophy of language. It is in this latter sense that the higher languages are unknown until the lower languages are studied, and it is probable that more light will be thrown upon the former by a study of the latter than by more extended research in the higher.
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